Studio artMalamat

artMalamat is the atelier of the artists Mariela and Peter Malamat. They create their works emphasising the connection of the decorative arts with the building and the interior, delineating the relationship between contemporary art and the tradition of the schools.

Mariela and Peter are already the second generation of artists and craftsmen. The achievements in the field of fine and monumental arts in Bulgaria between 1960 and 1989 by Ivan B. Ivanov, Mariela’s father, are significant for Bulgarian art history. Peter Manev, Peter’s grandfather, worked as a craftsman in mirrors and glass from 1937.

In the spirit of this tradition — preserving the practices of the past while using the latest technological advances — the studio works across a wide range of techniques: stone mosaic, painting, stained glass, fusing, sculpture in stone, metal and glass, classical painting techniques, pastels, watercolours, miniatures of glass and metal, and jewellery.

Mariela and Peter are based in Sofia, but travel for inspiration and for contact with galleries and clients. Over the past 25 years they have worked in New York, Memphis, London, Copenhagen, Paris, Milan, Rome and Maastricht. Today artMalamat has studios in Sofia, Paris and Rotterdam.

Mariela Ivanova

Painting, stained glass, sculpture, mural painting

Astonishing in the pictures of Mariela Ivanova is the behaviour of the ornaments. Where in many authors ornaments serve to fill the empty spaces of the canvas, Mariela's are part of the composition — they highlight, intensify and support the main conceptual outlook. With their colour and dynamic structure they exalt the accent of the tones and semitones, the shapes and colours of the central figures. — Maxim Cohen

Education

  • 1977–82 — National School of Fine Arts “I. Petrov”, Sofia
  • 1982–88 — National Academy of Fine Arts, Sofia — master’s degree in mural painting
  • 2003 — Cité des Arts, Paris — specialisation

Member of the Union of Bulgarian Artists (from 1989), Brooklyn Art Association (from 2000), Lions Club (from 2008) and ICOMOS (from 2014).

Selected exhibitions

  • 2021 — “The Yogurt of the Dream”, project for the Bulgarian pavilion, Venice Biennale
  • 2020 — “Close to My Heart”, MOMus Contemporary, Thessaloniki
  • 2019 — “Heavenly Plowmen” and “The Pandora’s Box”, projects for the Bulgarian pavilion, Venice Biennale
  • 2018 — Bulgarian Cultural Center, Prague — glass reliefs; “Garden of Miracles”, Pazardjik
  • 2017 — “And More Love Stories”, Evdokia Art Glass gallery
  • 2015 — Open studio, Cité des Arts, Paris; “52 Love Stories”, Plovdiv Cultural Institute
  • 2014 — “50 Love Stories”, Gallery Impression; Centre International des Arts, Montpellier
  • 2013 — “The Magic Rite”, Hilton Hotel; Gallery Impression, Sofia; BCI, London
  • 2008 — “40 Love Stories”, Gallery Imon, Sofia
  • 2002 — Jewish Cultural Center, Memphis, USA
  • 2000 — Brooklyn Art Center, New York

Her works are held in private collections in Bulgaria, Greece, Germany, Japan, the USA, Denmark and Switzerland.

Curatorial projects

  • 2010 — “Gold & Blue”, Lions artists, National Gallery, Sofia
  • 2009 — “Then & Now”, Decorative Arts, National Gallery, Sofia

Research

  • 2020 — “Buzludzha mosaics”, for the Getty Foundation
  • 2019 — “Decorative arts in Bulgaria 1970–1989: issues of synthesis”

Monumental work

  • 2009 — Studio Panderma, interior design, glass reliefs
  • 2004–08 — “The Rainbow”, Protestant church, Sofia
  • 1995 — “The Annunciation”, “Man’s Earthly Pilgrimage”, “The Way to Eternity”, Lozen
  • 1989 — Module mirror wall, disco club Japan
  • 1986 — Mural painting “Childhood”, St. Anna hospital, Sofia
  • 1985 — Mural painting “Cosmos”, A. S. Pushkin school, Sofia
  • 1983 — Mural painting “Carnaval”, school, Vladaya

Peter Malamatenov

Sculpture, glass, mirrors, mural painting

The technology of the sculpture is essential: modern tools combined with ancient skills preserved among the craftsmen of Bulgaria give the work its patina and soft sheen — qualities typical of enduring traditions in art. — Maxim Kohen

Education

  • 1979 — “I. Petrov” College of Arts, Sofia
  • 1988 — National Academy of Fine Arts, Sofia — master’s degree in mural painting

Member of the Union of Bulgarian Artists, Brooklyn Art Association, Sofia City Lions Club and ICOM. Exhibiting in group shows since 1988.

Selected exhibitions

  • 2021 — “Mirrored World”, glass reliefs and mirrors, Krasno Selo Cultural Centre
  • 2020 — “Cupido”, watercolour and glass, Evdokia Art Glass gallery
  • 2019 — Glass reliefs, Evdokia Art Glass; sculpture, Tandra Gallery, Bankya; painting, Plovdiv Cultural Institute
  • 2018 — Sculpture, Tandra Gallery, Bankya; glass reliefs, BCI Prague
  • 2017 — “And More Love Stories”, Evdokia Art Glass; Fourth Festival of Glass, Sofia; PontArte, Maastricht
  • 2015 — Cité des Arts, Paris
  • 2014 — Glass, Centre International des Arts, Montpellier
  • 2013 — “The Magic Rite”, Hilton Hotel; Gallery Arosita and Gallery Impression, Sofia; BCI London
  • 2004 — “43° — New York, Paris, Sofia”, Gallery R. Alexiev, Sofia; Bulgarian Embassy, Copenhagen
  • 2003 — Military Club, Sofia; Cité des Arts, Paris
  • 2001 — Sculpture, Saint Francis College Gallery, Brooklyn, New York

Stained glass

“Nightly Sky” — fashion studio Jana Jekova, Sofia · “Annunciation”, “Earth Life”, “Way to Eternity” — private house, Lozen · “Lighting Column” — private house, Sofia · “Rainbow” — Bulgarian Evangelist Church, Sofia · “Garden” — private house, Dragalevtsi · glass reliefs and interior, Panderma Dermatologic Laser Centre, Sofia

Sculpture

  • Eight variants of “The Giant Woman”, 120 × 300 × 80 cm, four public spaces in Sofia
  • Mirrored module wall, Paradise Center, Sofia
  • “Venus”, glass, waterfall, Dragalevtsi
  • “Angel”, marble memorial, Sofia
  • “Rooster”, gilded copper, hotel Tzarsko Selo, Sofia
  • “Holland Cow”, bronze, Markeli milk factory, Kazanlak
  • “Pregnant Michio” and “The Baby”, four life-size figures, epoxy resin and acrylic, New York